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By Kenneth Womack,James M. Decker,Troy Bassett,Martin Bidney,Nancy Henry,Joseph Lennon,Ira Nadel,Ruth Robbins,Jeanette Shumaker,Alexis Weedon,Joseph Wiesenfarth
For a few overdue nineteenth-century British novelists, subversion used to be a imperative element in their writerly lifestyles. Although—or probably because—most Victorian authors composed their works for a normal and combined viewers, many writers hired suggestions designed to subvert genteel expectancies. as well as utilizing coded and indirect material, such figures additionally concealed their transgressive fabric “in simple sight.” whereas a few writers sought to critique, or even destabilize, their society, others juxtaposed subversive issues and aesthetics negatively with communal norms in hopes of quashing revolutionary agendas.
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Victorian Literary Cultures: Studies in Textual Subversion by Kenneth Womack,James M. Decker,Troy Bassett,Martin Bidney,Nancy Henry,Joseph Lennon,Ira Nadel,Ruth Robbins,Jeanette Shumaker,Alexis Weedon,Joseph Wiesenfarth