Victorian Jewelry, Identity, and the Novel: Prisms of by Jean Arnold PDF

By Jean Arnold

during this research of Victorian jewels and their illustration, Jean Arnold explores the function fabric items play within the cultural unity of the West. Diamonds and different gemstones, Arnold argues, symbolized the main heavily held ideals of the Victorians and hence could be thought of "prisms of culture." Mined within the a ways reaches of the empire, they traversed geographical area and cultural barriers, representing financial price and evoking empire, category lineage, type club, gender kinfolk, and aesthetics. Arnold analyzes the various roles fabric items fill in Western tradition and surveys the cross-cultural heritage of the Victorian diamond, uncovering how this item turned either preeminent and consultant of Victorian values. Her shut readings of Wilkie Collins's The Moonstone, George Eliot's Middlemarch, William Makepeace Thackeray's the good Hoggarty Diamond, and Anthony Trollope's The Eustace Diamonds convey gendered, aesthetic, fiscal, fetishistic, colonial, criminal, and culturally symbolic interpretations of bijou as they're enacted via narrative. Taken jointly, those divergent interpretations provide a holistic view of a cloth culture's affective attachment to things. because the assigned meanings of jewels flip them into symbols of energy, own relationships, and valued rules, human interactions with gemstones elicit emotional responses that bind the materialist tradition together.

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Victorian Jewelry, Identity, and the Novel: Prisms of Culture by Jean Arnold


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