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By Jennifer Hansen-Glucklich
In Holocaust reminiscence Reframed, Jennifer Hansen-Glucklich examines representations in 3 museums: Israel’s Yad Vashem in Jerusalem, Germany’s Jewish Museum in Berlin, and the us Holocaust Memorial Museum in Washington, D.C. She describes quite a few visually awesome media, together with structure, images indicates, artifact monitors, and video installations with a view to clarify the classy concepts that the museums hire. As she translates the shows, Hansen-Glucklich clarifies how museums speak Holocaust narratives in the historic and cultural contexts particular to Germany, Israel, and the USA. In Yad Vashem, architect Moshe Safdie constructed a story fitted to Israel, rooted in a redemptive, Zionist tale of homecoming to a spot of mythic geography and renewal, unlike loss of life and discomfort in exile. within the Jewish Museum in Berlin, Daniel Libeskind’s structure, damaged strains, and voids emphasize absence. the following indicates converse a conflicted ideology, torn among the lack of a Jewish earlier and the country’s present multicultural ethos. the USA Holocaust Memorial Museum offers one more lens, conveying via its shows a feeling of sacrifice that's a part of the civil values of yankee democracy, and attempting to triumph over geographic and temporal distance. One well-know instance, the pile of hundreds of thousands of boots plundered from focus camp sufferers encourages the customer to bridge the distance among viewer and victim.
Hansen-Glucklich explores how each one museum’s thought of the sacred shapes the layout and choreography of holiday makers’ studies inside museum areas. those areas are websites of pilgrimage which can in flip result in rites of passage.
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Holocaust Memory Reframed: Museums and the Challenges of Representation by Jennifer Hansen-Glucklich