Anjeana K. Hans's Gender and the Uncanny in Films of the Weimar Republic PDF

By Anjeana K. Hans

The Weimar interval in Germany was once a time of radical swap, whilst the traditions and social hierarchies of Imperial Germany crumbled, and a tender, deeply conflicted republic emerged. Modernity introduced alterations that reached deep into the main own elements of lifestyles, together with a loosening of gender roles that spread out new freedoms and possibilities to girls. The monitor vamps, garçonnes, and New ladies during this movie-hungry society got here to include the hot photograph of womanhood: sexually liberated, autonomous, and—at least to some—deeply threatening. In Gender and the Uncanny in movies of the Weimar Republic, writer Anjeana ok. Hans examines mostly forgotten movies of Weimar cinema during the lens in their ancient second, modern issues and evaluations, and smooth movie conception to provide a nuanced realizing in their importance and their advanced interaction among gender, subjectivity, and cinema.

Hans makes a speciality of so-called uncanny movies, within which terror lies just below the outside and the emancipated girl physique turns into the embodiment of a probability repressed. In six chapters she presents a close research of every movie and strains how filmmakers concurrently have fun and punish the transgressive girls that populate them. motion pictures mentioned contain The Eyes of the Mummy (Die Augen der Mumie Mâ, Ernst Lubitsch, 1918), Uncanny stories (Unheimliche Geschichten, Richard Oswald, 1919), Warning Shadows (Schatten: Eine nächtliche Halluzination, Artur Robison, 1923), The palms of Orlac (Orlacs Hände, Robert Wiene, 1924), A Daughter of Destiny (Alraune, Henrik Galeen,1928), and Daughter of Evil (Alraune, Richard Oswald, 1930). An advent contextualizes Weimar cinema inside of its designated and risky social setting.

Hans demonstrates that Weimar Germany’s conflicting feelings, hopes, and fears performed out in that almost all smooth of media, the cinema. students of movie and German heritage will savour the fascinating examine of Gender and the Uncanny in motion pictures of the Weimar Republic.

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Gender and the Uncanny in Films of the Weimar Republic (Contemporary Approaches to Film and Media Series) by Anjeana K. Hans

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