New PDF release: Algernon Swinburne and Walter Pater: Victorian Aestheticism,

By SarahGlendon Lyons

How did literary aestheticism emerge in Victorian Britain, with its competing versions of non secular doubt and visions of secularisation? For Lyons, the aestheticism constructed and gradually revised by means of Algernon Charles Swinburne (1837-1909) and Walter Pater (1839-1894) illuminates the contradictory impulses of contemporary secularism: at the one hand, a wish to solid itself as a kind of neutrality or disinterestedness; at the different, a wish to verify 'this international' because the position of human flourishing or maybe attraction. the traditional narrative of a 'crisis of religion' doesn't do justice to the fissured, doubtful caliber of Victorian visions of secularisation. accurately since it had the prestige of a complicated speculation instead of a self-evident fact, it provoked not just dread and melancholia, but additionally different types of delusion. inside this context Lyons provides a essentially new account of the goals and nature of Victorian aestheticism, taking as a spotlight its deceptively easy declare that paintings is for art's sake first of all.

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Algernon Swinburne and Walter Pater: Victorian Aestheticism, Doubt and Secularisation by SarahGlendon Lyons


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